#Wally west movie#
#Wally west tv#

As a result, he now trailed actual lightning bolts in his wake when he ran. This was explored in the story Terminal Velocity. Breaking the lightspeed barrier for a speedster meant becoming energy and joining the Speed Force itself.Īfter the events of the 1994 crossover Zero Hour, Wally got a more direct connection to the Speed Force than any other speedster. His body didn’t just burn up because he ran faster than light. It also further explained what happened to Barry. This was the true fuel for their speed, which is why the Flash didn’t immediately die of starvation after breaking the sound barrier. They were all, through different means, tapping into an extra-dimensional energy source that became known as the Speed Force.

Waid revealed that each speedster didn’t just happen to have a near identical mutation. Waid had always been bothered by Jay Garrick’s origin and how there didn’t seem to be a link between several of the DC Universe’s speedsters (save for those who got their powers by mimicking the circumstances that endowed Barry Allen with speed). When Mark Waid came on as Flash writer, he got to work bringing Wally back into a more heroic personality and upping his power levels and sense of the fantastic. Later artist Mike Wieringo made another alteration when he simplified Wally’s cowl wings into triangles that implied simplified lightning bolts. It’s one of those design features that shouts, “Hey, dude! It’s the 90’s!” But all in all, this is a pretty good suit and it’s great to see that Wally no longer looked like a Barry clone. The metal reflective quality is neat in concept but a little much. The mask having lenses would make more sense to disguise Wally’s identity, but since the Crisis he’d been operating publicly so they seem unnecessary. The changes to the boots and belt are tops.

#Wally west tv#

The belt was also altered to mimic the cool one seen in the TV show.

Constructed to help Wally utilize his speed in the best way possible, this suit was a darker shade of red, had a metallic finish, removed the wings from the boots, and added white reflective eye-lenses to the mask. Labs and hey, just like with the TV show, they made him a special suit. So Wally got some new threads in Flash #50 (1991), written by William Messner-Loebs and penciled by Greg LaRocque. Thanks to the villain Vandal Savage, Wally lost Barry’s costume-making equipment and nearly his own life too. And one episode gave us a strange, blue-suited Barry clone who basically acted as the show’s version of the Reverse-Flash.īack to the comics. Mark Hamill even showed up as the costumed villain Trickster in two episodes. A much sharper design than just a single lightning bolt across.Īs the show went on, it stopped taking itself quite as seriously and it certainly had its fanbase. Not sure about the cowl covering the nose, though. I don’t mind the lack of large yellow boots. But it ain’t a bad reason and although I was sad that the costume ring wasn’t used, it was rather cool to see how closely the TV show stayed to the comic book design.

#Wally west movie#

Motivated initially by revenge, Barry added a mask and some lightning bolts to the pressure suit and became the Flash. So we were given grounded reasons why Barry would wear his costume, since live-action media often feels the need to do this even though we’re aware the movie features a superhero. Other changes in the show included that Barry now had an older brother named Jay, a cop who was murdered by his old partner who was now a gang leader.